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鋼琴輕鬆談-手指建立&音色表達Aweken your inner pianist

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20 含著淚的微笑(2)普雷斯勒版本《 邁向大師系列 On the Way to the Yoda of Piano》

「我們總是笑臉迎人,拼命築堤不讓淚氾濫成災⋯⋯⋯⋯」 關於這一段神秘的莫札特奏鳴曲,我們將之前影片遺失後補拍的片段,再加上普雷斯勒(Menahem Pressler)版的詮釋,聽看看「臉是甜的,喉頭...

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19 含著淚的微笑 Mozart-Fantasia and Sonata K 475《 邁向大師系列 On the Way to the Yoda of Piano》

我們常聽到「強顏歡笑」、「笑中帶淚」⋯⋯在音樂中要如何表達? 莫札特很少寫小調的奏鳴曲,這也代表有些情感他是不願顯露的,他的奏鳴曲幾乎都是大調,在這首小調的樂曲中, 陽光下照亮了他的淚水,尤其是相當...

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「預備練習 丟手」---手指建立系列

臉書粉絲團 https://www.facebook.com/innerPianist/ 丟手這個動作,是我們幫每一位學生建立手指之前,都會帶學生做的預備練習,因為這個動作,最容易讓大家體驗彈琴時完...

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「 觀念篇 3」---手指建立系列

臉書粉絲團 https://www.facebook.com/innerPianist/ 大家都知道彈琴要放鬆,但是為什麼放鬆不了? 身體站立、走路跟手指彈琴之間,有什麼關聯性? 影片中,我們將...

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「觀念篇 2」---手指建立系列

臉書粉絲團 https://www.facebook.com/innerPianist/ 你有觀察過你走路的樣子嗎?彈琴的原理,和走路竟然如出一轍! 我們走路的時候,是靠著雙腳的支撐,讓上半身得以...

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「觀念篇 1」--手指建立系列

臉書粉絲團 https://www.facebook.com/innerPianist/ 俄國音樂學派常常提到,彈琴一定要擁有『鋼鐵般的手指』,那到底是什麼? 鄧泰山的老師回憶第一次看到他的時候,...

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17 同音依戀《 邁向大師系列 On the Way to the Yoda of Piano》

「星際間的溝通是否可能是透過音樂?」 這是《接觸未來》(Contact)原著作者、天文學家卡爾薩根(Carl Sagan)早在1975年就提出有趣的假設。 作曲家在譜曲的時候,其實就是他使用的語言...

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16 彈性速度與音色運用《 邁向大師系列 On the Way to the Yoda of Piano》

''Rubato''「彈性速度」的運用跟「音色表達」,在演奏上是至高的藝術。 這決定你演奏的作品的深度,就像一個人的行為舉止跟散發出來的氣質,透漏出一個人靈魂的高度。 在大師的音樂中,總有令人驚嘆...

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15 個人風格《 邁向大師系列 On the Way to the Yoda of Piano》

個人風格如何呈現?相信這是許多人的疑問。 「當了解音樂內涵之後,你必須要擁有自己的見解,也因此,每個人彈奏每首曲子,都有不同的詮釋,這是成為鋼琴家必備的條件。」 以蕭邦幻想即興曲中段的優美慢板為例...

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14 顛倒詮釋--高階音色處理《 邁向大師系列 On the Way to the Yoda of Piano》

如果你善用觸鍵,它就會像千層派般迷人,細膩的觸鍵會像紐約Lady M般,席捲全世界人心! 觸鍵不只限於大小聲,柔和或強音,在內涵上更有如文學般複雜的表現方式,這是大師之所以為大師的原因,一個觸鍵就能...